| Issue | Title | |
| Vol 2, No 1 (2001) | (Missed) Connections and Context: American Exhibits/Audiences and Modern African Art: A Critical Review of Encounters with the Contemporary | Abstract |
| Courtney E. Cole | ||
| Vol 2, No 1 (2001) | Negotiating Identity: Urban Community Mural Art in South Africa | Abstract |
| Sabine Marschall | ||
| No 5 (2002) | Olu Amoda's Laceration: A Jagged Beauty of Metal | Abstract |
| Nkiru Nzegwu | ||
| Vol 1, No 2 (2000) | Otto Neals: Artist & Teacher | Abstract |
| Richard Walkes | ||
| Vol 2, No 1 (2001) | Ozioma Onuzulike: Redrawing the Frontiers of Ceramics | Abstract |
| C. Krydz Ikwuemesi | ||
| Vol 1, No 2 (2000) | Problems of the African Artist Today | Abstract |
| Ben Enwonwu | ||
| Vol 2, No 1 (2001) | Re-/Presenting Black Female Identity in Brazil: 'Filhas d' Oxum in Bahia Carnival | Abstract |
| Carole Boyce Davies | ||
| Vol 2, No 1 (2001) | "Recalling the Future: Art in Contemporary Africa" | Abstract |
| Julie L. McGee | ||
| No 5 (2002) | Re-Living Memories: Picturing Death | Abstract |
| Phyllis J. Jackson | ||
| No 4 (2002) | Reports on The Pan-African Conference on the Status, Role and Working Condition of the Artist in Africa | Abstract |
| C. Krydz Ikwuemesi | ||
| No 4 (2002) | Rereading of Juan Boza's Critique of Wilfredo Lam: The Emergence of Afro-Cuban Arts in Post-Revolutionary Cuba | Abstract |
| Patrick Kane | ||
| Vol 1, No 2 (2000) | Review Essay: Representing Blackness and the American Way | Abstract |
| Phyllis J. Jackson | ||
| No 5 (2002) | Review of Born Again. and Submission: (Beware of Adicers[sic]). Valseco Productions, 2001 | Abstract |
| Candace Johnson-Phipps | ||
| No 5 (2002) | Review of Born Again. Director, Gabriel Moses, Amaco Productions, Nigeria 2001; and Submission: (Beware of Adicers[sic]). Director, Christian Onu, Valseco Productions, 2001 | Abstract |
| Janki Patel | ||
| Vol 1, No 2 (2000) | Sargent Johnson: A Retrospective | Abstract |
| Evangeline J. Montgomery | ||
| No 5 (2002) | Still the Primitive?: Myths and Resistance of the Ethno-Spirito in African Representations | Abstract |
| Victoria Delaney | ||
| Vol 2, No 1 (2001) | "Swingin' Theory: The Blues Idiom as Vox Populi | Abstract |
| Charles Peterson | ||
| Vol 1, No 2 (2000) | The African View of Art and Some Problems Facing the African Artist | Abstract |
| Ben Enwonwu | ||
| Vol 1, No 2 (2000) | The Africanized Queen: Metonymic Site of Transformation | Abstract |
| Nkiru Nzegwu | ||
| Vol 1, No 2 (2000) | The Evolution, History and Definition of Fine Art | Abstract |
| Ben Enwonwu | ||
| No 4 (2002) | The Importance of Oriki Yoruba Mural Art | Abstract |
| Stephen Folaranmi | ||
| No 5 (2002) | The Los Angeles School | Abstract |
| Ntongela Masilela | ||
| No 5 (2002) | The Place of Susan Wenger's Art in Yoruba Religion: A Preliminary Survey | Abstract |
| Oyeronke Olajubu | ||
| Vol 1, No 2 (2000) | The Proposal to Build a Museum for Tomorrow | Abstract |
| Ben Enwonwu | ||
| Vol 2, No 1 (2001) | The Student Nonviolent Coordinating Committee: A Brief History Of A Grass-Roots Organization | Abstract |
| Eric Morton | ||
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