| Issue | Title | |
| Vol 1, No 1 (2000): Premier Issue | A Conversation with Ed Wilson | Abstract |
| Fadhili Mshana | ||
| Vol 1, No 1 (2000): Premier Issue | A Conversation with Evangeline Montgomery | Abstract |
| Gina Rollins | ||
| No 4 (2002) | A Transatlantic Dialogue? | Abstract |
| Mazi Allen | ||
| Vol 1, No 1 (2000): Premier Issue | Abang Dance: Radiance From the River and Efik Ideal of Femininity | Abstract |
| Onyile Bassey Onyile | ||
| No 4 (2002) | "Against History? A Nimo-Born Architecture of Umu Nri (Enugu Ukwu) | Abstract |
| Ikem Stanley Okoye | ||
| Vol 2, No 1 (2001) | Art as Time-Lines: Family Representation in Sacral Spaces | Abstract |
| Nkiru Nzegwu | ||
| Vol 1, No 1 (2000): Premier Issue | Cartooning in Nigeria: Paradigmatic Traditions | Abstract |
| Tejumola Olaniyan | ||
| Vol 1, No 2 (2000) | Chinwe Uwatse Evaluates the Nigerian Art Scene | Abstract |
| Krydz Ikwuemesi | ||
| Vol 1, No 1 (2000): Premier Issue | Civil Rights and the African-American Artist: Have We Overcome? | Abstract |
| Jonelle Jaime-Horry | ||
| Vol 1, No 1 (2000): Premier Issue | Commemorating the African Burial Ground in New York City: Spirituality of Space in Contemporary Art Works | Abstract |
| Andrea Frohne | ||
| Vol 1, No 1 (2000): Premier Issue | Comparing Yoruba and Western Aesthetics: A Philosophical View of African American Art, Culture and Aesthetics | Abstract |
| Eric Morton | ||
| Vol 1, No 2 (2000) | Contested Vision: Ben Enwonwu's Portrait of Queen Elizabeth II | Abstract |
| Sylvester Okwunodu Ogbechie | ||
| Vol 1, No 2 (2000) | Conversation With Juan Sánchez (Bronx Museum of Art, NY., Sept.16, 1998) | Abstract |
| Gladys M. Jiménez Muñoz | ||
| Vol 1, No 1 (2000): Premier Issue | Creating Memory: A Conversation with Carole Harris | Abstract |
| Nkiru Nzegwu | ||
| Vol 1, No 1 (2000): Premier Issue | Crossing Boundaries: Gender Transmogrification in African Art | Abstract |
| Nkiru Nzegwu | ||
| No 5 (2002) | Dead Leaves Between Pages: an Essay on the Definition of Art | Abstract |
| Ramenga Mtaali Osotsi | ||
| No 4 (2002) | Dress Codes and Prestige Staffs: Constructing Political Authority with Staffs in Tanzania | Abstract |
| Fadhili Mshana | ||
| Vol 1, No 1 (2000): Premier Issue | Editorial: Premier Issue | Abstract |
| Nkiru Nzegwu | ||
| Vol 2, No 1 (2001) | Editorial: Read On and Be Challenged! | Abstract |
| Ikem Stanley Okoye | ||
| No 5 (2002) | Education Through Public Art: The"Break The Silence" Print Portfolio / Billboard Project | Abstract |
| Sabine Marschall | ||
| Vol 2, No 1 (2001) | French Colonial Art Education in Morocco | Abstract |
| Hamid Irbouh | ||
| Vol 1, No 1 (2000): Premier Issue | Gelede Metaphysics and Gender in an African Ritual Play | Abstract |
| Dele Layiwola | ||
| No 4 (2002) | How a Fiction Became the Truth: Five Thesis on Cogito, Imagination, and Modernity | Abstract |
| Nicholas Veroli | ||
| Vol 1, No 2 (2000) | Melvin Edwards' Lynch Fragments: Negritude and the Battle for Civil Rights in America | Abstract |
| Hamid Irbouh | ||
| Vol 1, No 2 (2000) | Memory-Lines: Art in the Pan-African World | Abstract |
| Nkiru Nzegwu | ||
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